The Leaning Tower of Woody Creek

$3,500.00

Rising with a deliberate tilt and crowned with an American flag, The Leaning Tower of Woody Creek is a whimsical homage to the iconic Leaning Tower of Pisa — interpreted through Martin Cooney’s signature reductionist lens and carved from fossil-rich Oklahoma Winterset limestone.

Playful yet technically precise, the sculpture replicates the tower’s famous arcaded tiers with simplified arches that evoke the Romanesque original, while embracing the material’s natural grain and texture. Its exaggerated lean and placement atop a raw, unshaped base of native stone add a touch of humor and humility — suggesting both architectural marvel and rustic Americana.

The flag at the top, mounted straight atop the tilting column, gives the piece an extra layer of wit — as if to say: “Yes, we’re off balance, but proudly so.”

Whether viewed as satire, tribute, or an artistic balancing act, this freestanding sculpture is both a technical feat and a conversation starter — grounded in limestone, but never too grounded to tip its hat.

Shipping & Delivery

Most deliveries will be handled by FedEx or UPS, while larger items will be delivered via Freight. We strive to have the item(s) delivered within 5-7 business days of order receipt.

For Trade Accounts: Item(s) temporarily out of stock will be delivered as they become available.

If you have questions about shipping, delivery or returns, please call our Customer Care team at xxx-xxx-xxxx or email us at customercare@martincooneystoneworks.com

Wipe marble occasionally with a soft, damp, lint-free cloth. Finish with a dry cloth. Avoid using harsh or abrasive cleaners. Do not saturate.

Description

Rising with a deliberate tilt and crowned with an American flag, The Leaning Tower of Woody Creek is a whimsical homage to the iconic Leaning Tower of Pisa — interpreted through Martin Cooney’s signature reductionist lens and carved from fossil-rich Oklahoma Winterset limestone.

Playful yet technically precise, the sculpture replicates the tower’s famous arcaded tiers with simplified arches that evoke the Romanesque original, while embracing the material’s natural grain and texture. Its exaggerated lean and placement atop a raw, unshaped base of native stone add a touch of humor and humility — suggesting both architectural marvel and rustic Americana.

The flag at the top, mounted straight atop the tilting column, gives the piece an extra layer of wit — as if to say: “Yes, we’re off balance, but proudly so.”

Whether viewed as satire, tribute, or an artistic balancing act, this freestanding sculpture is both a technical feat and a conversation starter — grounded in limestone, but never too grounded to tip its hat.